2024-03-29T15:02:18Z
https://rivisteclueb.it/index.php/index/oai
oai:ojs.pkp.sfu.ca:article/273
2024-02-05T09:32:16Z
etnoantropologia:russiaucraina
Antropologie dell’est. Una prima panoramica su storia e ambiti della ricerca museografica, etnografica e audiovisuale
Baldi, Alberto
Kunstkamera
ethno boom
folklore progressivo
flahvertism
Kino-atlante
The monographic section of this issue of EthnoAnthropology is dedicated to the history of the Russian anthropological sciences, to the museography and methodology of ethnographic research and finally to the visual anthropology in Russia. The essays of some prestigious exponents of anthropology, of anthropological museography and of Russian visual anthropology are published. This essay that introduces to the section intends to underline the ideas and themes we find particularly significant in the articles of the Eastern colleagues hosted here, also making parallels with scientific positions, themes and paths of Western and Italian anthropology and visual anthropology.
CLUEB
2018-09-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
text/html
https://rivisteclueb.it/index.php/etnoantropologia/article/view/273
EtnoAntropologia; Vol. 6 No. 1 (2018); 7-36
EtnoAntropologia; V. 6 N. 1 (2018): Russia e Ucraina. Percorsi etnografici e sviluppi antropologici a cura di Alberto Baldi e Tamara Mykhaylyak; 7-36
2284-0176
ita
https://rivisteclueb.it/index.php/etnoantropologia/article/view/273/431
https://rivisteclueb.it/index.php/etnoantropologia/article/view/273/432
Copyright (c) 2018 Alberto Baldi
oai:ojs.pkp.sfu.ca:article/274
2024-02-05T09:32:16Z
etnoantropologia:russiaucraina
The most European place in St. Petersburg: the Museum of Anthropology and Ethnography between the Past and the Future
Rezvan, Efim
Peter the Great Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences (MAE RAS)
Friedrich Wilhelm Radloff
Lev Sternberg
Movie Atlas of the USSR collection through systematic scientific expeditions
The article presents a short survey of the history of Peter theGreat Museum of Anthropology and Ethnography (Kunstkamera) of theRussian Academy of Sciences (MAE RAS). Today MAE RAS is one of thelargest and oldest ethnographic museums in the world. The richest scientificcollections of MAE RAS (today more than 1.2 million units of storage)consistently evolved throughout its 300-year history primarily as a result ofintensive expeditionary and research activities of the Academy of Sciences.The history of Russia in the last three hundred years is also the history of theMuseum. It shared with the country the breakthrough of the Peter the Greatand Catherine epochs, the great achievements for Russian science and cultureof the 19th century, the achievements of the “great era” of Soviet academicscience. The museum remembers the years of Great terror, the horrors of theSiege of Leningrad, and the difficult times after the collapse of the USSR. Thepriority of science in the system of state values, the study and preservation ofnational cultures and interethnic dialogue are the key aspects of the Museum'sactivities. They always coincided and coincide today with the most importanttasks of Russian statehood.
CLUEB
2018-09-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
text/html
https://rivisteclueb.it/index.php/etnoantropologia/article/view/274
EtnoAntropologia; Vol. 6 No. 1 (2018); 37-46
EtnoAntropologia; V. 6 N. 1 (2018): Russia e Ucraina. Percorsi etnografici e sviluppi antropologici a cura di Alberto Baldi e Tamara Mykhaylyak; 37-46
2284-0176
ita
eng
https://rivisteclueb.it/index.php/etnoantropologia/article/view/274/433
https://rivisteclueb.it/index.php/etnoantropologia/article/view/274/434
Copyright (c) 2018 Efim Rezvan
oai:ojs.pkp.sfu.ca:article/275
2024-02-05T09:32:16Z
etnoantropologia:russiaucraina
Soviet Ethnography: A Failed Affair with Marxism
Golovnev, Andrei V.
Ethnography
ethnology
Russia revolution
Soviet power
Marxism ethnicity
Soviet power came into being after Revolution of 1917 with the efficient support of counter-imperial ethnic/national forces which also provided later on the composition of USSR as multinational state and, accordingly, growth, or even boom, of the ethnography/ethnology. However, since the new state and novel elite strengthened their positions, the same forces began to treat as the threat to the Soviet power. That was the background of turning point and drama that happened to early Soviet science on peoples and cultures in the late 1920s and early 1930s described in the article.
CLUEB
2018-09-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
text/html
https://rivisteclueb.it/index.php/etnoantropologia/article/view/275
EtnoAntropologia; Vol. 6 No. 1 (2018); 47-60
EtnoAntropologia; V. 6 N. 1 (2018): Russia e Ucraina. Percorsi etnografici e sviluppi antropologici a cura di Alberto Baldi e Tamara Mykhaylyak; 47-60
2284-0176
ita
eng
https://rivisteclueb.it/index.php/etnoantropologia/article/view/275/435
https://rivisteclueb.it/index.php/etnoantropologia/article/view/275/436
Copyright (c) 2018 Andrei V. Golovnev
oai:ojs.pkp.sfu.ca:article/276
2024-02-05T09:32:16Z
etnoantropologia:russiaucraina
The role of documentary filmmaking in formation of visual anthropology of Russia
Aleksandrov, Evgeny
visual anthropology
intercultural communication in Russia
documentary cinematograph
Dziga Vertov
popular science movies – “travelogues”
integration of scientific approaches of modern anthropology
In the history of forming of visual anthropology as a method ofintercultural communication in Russia up to the present time documentarycinematograph takes a dominant lead. Taking into account the change ofideology and the information technologies’ development level there can bemarked several stages:• Already in the pre-revolutionary period the documentary cinematographstarted realizing its cognitive function, which made its core functionwith time. Unpretentious short fragments of the chronicle are nowadaysconsidered the rare evidences of the passed life.• After the revolution the new state from its very steps set a task forcinematography to form a “new man”. This movement was headed byDziga Vertov, an ideologist of a special vision of reality via cinema cameraand via influencing the spectators through the documentary screen. His“kino-pravda” had become a symbol for the researchers of the real worldwith the help of the movie language. The movie “A Sixth Part of the World”became an unprecedented project of a simultaneous documenting of livesof different peoples in vast territories of the country, and it inspired otherdocumentary filmmakers for making movies on ethnographic topics.• The post-war period was the time of a reviewing “kino-atlas” based onpopular science movies – “travelogues”, where just a little time was sparedto ethnographic topic. The common cinema target became showing theachievements of the Soviet system. Participation of scientific communitywas limited to advisor’s role. Just in some particular cases there werecreated university and academic ethnographic movies.• The first in the USSR territory festival of visual anthropology in Parnutown offered a new approach to showing the life of human communities.The main challenge of the film directors was to reveal the essential featuresof lives of those people who confided to tell their stories. Such principlesof visual anthropology as authenticity and moral responsibility towards thedepicted culture became a challenge to the attitudes to forming the mindsetof the spectator in an available form.The contemporary period of visual anthropology development is marked withsearch of ways of integration of scientific approaches of modern anthropologyand a newly forming ethical and aesthetical language of the documentarycinema.
CLUEB
2018-09-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
text/html
https://rivisteclueb.it/index.php/etnoantropologia/article/view/276
EtnoAntropologia; Vol. 6 No. 1 (2018); 63-100
EtnoAntropologia; V. 6 N. 1 (2018): Russia e Ucraina. Percorsi etnografici e sviluppi antropologici a cura di Alberto Baldi e Tamara Mykhaylyak; 63-100
2284-0176
ita
eng
https://rivisteclueb.it/index.php/etnoantropologia/article/view/276/437
https://rivisteclueb.it/index.php/etnoantropologia/article/view/276/438
Copyright (c) 2018 Evgeny Aleksandrov
oai:ojs.pkp.sfu.ca:article/277
2024-02-05T09:32:16Z
etnoantropologia:russiaucraina
Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina
Golovnev, Ivan
Golovneva, Elena
Adulthood
ethnographic film
ethnography of childhood
Khanty
northwestern Siberia
traditional culture
visual methods.
This article investigates the representation of traditional culturein ethnographic films among the indigenous peoples of the Russian North.The special attention is paid to childhood in traditional culture of Khantypeoples in Ugra. The article focuses on the documentary film Malen’kaiaKaterina (Tiny Katerina; Ivan Golovnev 2004), which depicts the childhoodof a Khanty girl in northwestern Siberia over the course of three years.Authors analyze the child’s relation to nature, adulthood, and the developmentof gender identity. The article looks into the cinematographic techniques usedfor the film creation and major episodes of the film such as “a child`s rolein Khanty culture”, “play”, ‘the adult world”. Also explored are objectiveand subjective conditions in which the cinematographic image is created,with a special emphasis being put on studying filmmaker's (director's) rolein film production. The conclusion drawn is that, on the one hand, theethnographic film is a valuable contribution to Anthropology that adds tothe corpus of documents on traditional culture of the indigenous peoplesof the Russian North. On the other hand, the film contains evidence ofscientific criticism and allows one to explore cinematographic material fromanthropological, historical, and psychological positions. Authors came toconclusion that ethnographic cinema can be seen as promising researchmethodology in the field of contemporary anthropology. This essay re-elaborates and enriches some of the themes already present in a previouscontribution The Representation of Childhood in Ethnographic Films ofSiberian Indigenous Peoples: The Case of the Documentary Film Malen’kaiaKaterina (Tiny Katerina) [Golovnev I., Golovneva E. 2016, 83-106].
CLUEB
2018-09-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
text/html
https://rivisteclueb.it/index.php/etnoantropologia/article/view/277
EtnoAntropologia; Vol. 6 No. 1 (2018); 101-116
EtnoAntropologia; V. 6 N. 1 (2018): Russia e Ucraina. Percorsi etnografici e sviluppi antropologici a cura di Alberto Baldi e Tamara Mykhaylyak; 101-116
2284-0176
ita
eng
https://rivisteclueb.it/index.php/etnoantropologia/article/view/277/439
https://rivisteclueb.it/index.php/etnoantropologia/article/view/277/440
Copyright (c) 2018 Ivan Golovnev, Elena Golovneva
oai:ojs.pkp.sfu.ca:article/278
2024-02-05T09:32:16Z
etnoantropologia:russiaucraina
Gli albori del folklore ucraino. Antecedenti e primi passi di un’etnografia alla ricerca delle comuni e antiche radici del popolo ucraino
Mykhaylyak, Tamara
ethnography
explorations
national identity
Ukraine
Lviv
Kharkiv
Kiev
This article discusses the main stages that have marked theorigin and the development of the various Anthropological disciplines inUkraine. From the seventeen-century onwards, several texts containingthe notes of the foreign travellers on the Ukrainian territories and theirinhabitants started to be discovered. Furthermore, over the next two centuries,the Ukrainian lands became the focus of study not only for Ukrainianscholars, geographers and linguists, but also for poets and painters, who oftenenjoyed adding ethnographic nuances to their stories. A crucial contributionwas also provided by different institutions, namely universities, scientificsocieties and amateur associations, for which the interest in the demo-ethno-anthropological disciplines became stronger and even more evident.
CLUEB
2018-09-07
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
application/pdf
text/html
https://rivisteclueb.it/index.php/etnoantropologia/article/view/278
EtnoAntropologia; Vol. 6 No. 1 (2018); 117-136
EtnoAntropologia; V. 6 N. 1 (2018): Russia e Ucraina. Percorsi etnografici e sviluppi antropologici a cura di Alberto Baldi e Tamara Mykhaylyak; 117-136
2284-0176
ita
https://rivisteclueb.it/index.php/etnoantropologia/article/view/278/441
https://rivisteclueb.it/index.php/etnoantropologia/article/view/278/442
Copyright (c) 2018 Tamara Mykhaylyak